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ROSIER

Saturday 10.12.24 - 8:00pm - Tickets

w/ A Box of Stars

Rosier, a bilingual female-fronted Montreal-based collective, perfectly embodies the expression « between tradition and modernity. » With a strong ethereal, poetic, and dreamy inclination, the quintet brings a unique touch to today’s indie-folk scene. Their repertoire of modernized traditional music highlights female voices expressing contemporary values while remaining rooted in their origins, blending indie sounds with pop influences.

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Doctor Gasp

Wednesday 10.16.24 - 7:30pm - Tickets

THE PENTAGRAM

STRING BAND

Wednesday 10.16.24 - 9:00pm - Tickets

The Pentagram String Band are a satanic bluegrass band from Kansas City Missouri. They are suspicious of traditional bluegrass and play a style of gothic folk, punk, and thrash metal.

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RUSHADICUS

Wednesday 10.23.24 - 8:30pm - Tickets

Rushadicus (Rushad Eggleston) is a cellist provocateur and performance artist. After a formal music education, his work in the bluegrass, Americana and rock worlds garnered awards and international recognition, yet failed to fulfill his goblin heart. Over a three-year period, Rushadicus developed “Sneth Metal”, a new sound that defies all expectations, logic and form. It’s virtuoso improvisation and wild, immersive theater. It’s hilarious. It’s deeply disturbing. It’s great art that rejects the traditional forms of music and deconstructs the very idea of entertainment. 

Over The

Garden Wall

Thursday 10.24.24 - 6:30pm - Tickets
Thursday 10.24.24 - 8:00pm - Tickets

Cricket Blue & a rollicking cast of friends present the music of Over the Garden Wall. Come on in, stranger, for a night of spooky merrymaking featuring frogs, pumpkins, pots, pans, and ROCK FACTS as we journey into the Unknown.

w/ Cricket Blue & Friends

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the bubs

Friday 10.25.24 - 9:00pm - Tickets On Sale Soon!

The Bubs are unlike any band you’ve every seen or heard; a 10-piece jumpsuit-clad collective of artists, musicians and friends from Burlington, Vermont who serve up white-hot punk/garage rock. Since they formed in 2018 they have been sweeping everyone off their feet with their catchy songs, their fiery, contagious energy and their sweaty, unbridled, off-the-rails live shows. Their music is ferocious and tender, a crooked vessel for pain, nostalgia, empowerment and vindication, filtered through a dirty sieve. They are “trash kittens,” adorable and yet broken, incomplete, dirty.

Ron Gallo

Waking Windows Presents:

Saturday 10.26.24 - 8:00pm - Tickets

w/ Santa Chiara

There’s a fine, fine line between optimism and crushing nihilism, and it’s a border that courses through Ron Gallo’s new album, FOREGROUND MUSIC like the neon orange barriers and construction tape that accent gentrifying neighborhoods across cities everywhere; it’s unavoidable. There’s a central conceit at the heart of this album, which is that we’re probably doomed, but what’s the point in laying down to die instead of raging against the vast and plain as day inequalities that plague our nation and those across the globe? The only thing more pointless than hopefulness is hopelessness, and with this belief, Gallo records an album that confronts the villains of our society and helps those crushed by them by finding a way to laugh at the absurdity of it all.

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Al Olender

Wednesday 11.6.24 - 8:30pm - Tickets

For singer/songwriter Al Olender, facing her fear of the truth has been a cleansing, often cathartic process that’s led to the kind of revelations she had previously thought unobtainable. On her debut full-length album Easy Crier, the Upstate New York based artist asks: what happens if we vow to never tell a lie, ever again? Charting the daunting territories of staring your demons right in the face and prodding at the ugly parts of your reflection, Olender pieces together her most vulnerable moments to produce a celebratory and beautiful rumination on grief, and reminds us of the power that comes in really getting to know yourself.

FINOM (Fka Ohme)

Saturday 11.9.24 - 8:30pm - Tickets

w/ Meg Elsier

Co-fronted by Sima Cunningham and Macie Stewart, Finom’s influences run vast and varied, and they put a premium on change. Produced by Jeff Tweedy in the Wilco Loft, Not God is a marvel of growth, a progression from the roots of this collaborative band whose history can be traced back to its improvised conception. This is owed in no small part to their hometown of Chicago, the life raft to so many persisters in musical adventurosity. That energy combined with Finom’s dramatic vocal and musical gifts puts them in the peripheries of the legacies.

Cunningham and Stewart are brilliant harmonizers, but harmony doesn’t equate to a utopia. In Finom’s maws harmony can also be a fight, holding the line until the volcano erupts. This realistic depiction of a creative relationship jolts throughout the songs of Not God, and brings the whole damn thing to life. Finom are more than one person with more than one dream. But still, they grow together, harnessed by their shared love of pop songwriting, control, chaos, and being generally freaky-deaky. Freaky in that way that is only really fun when you’re doing it with a friend. As the globe spins and advancements advance, it can feel essential to return to relationships that make us feel whole, that generate energy of strength and relief. Which puts double the weight on the reality that Sima and Macie continue to pledge allegiance to each other, at the base of the volcano, in the front seat of the car as it pulls off the highway.

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THUS LOVE

w/ Robber Robber

Sunday 11.10.24 - 8:00pm - Tickets

The second LP by Brattleboro, Vermont’s THUS LOVE is full of that kind of nourishing euphoria. It swoons, shakes, and swaggers with a combination of grit and sensuality that’s been hard to locate in music lately. It fills your brain with barbed melodic hooks that once they sink in don’t budge. It punches at the clouds and makes you want to do the same. It’s called, fittingly, All Pleasure.

Alisa amador

Friday 11.15.24 - 8:30pm - Tickets

w/ BEANE

Praised by NPR's Bob Boilen as a “powerful voice whose tender performance commands attention and fosters connection," Alisa Amador made history in 2022 with the first-ever Spanish language song to win the prestigious Tiny Desk Contest. Her new album is a bold, captivating self- portrait, one that serves not only as a testament to how far Amador has come (she's earned dates with everyone from Hozier and Brandi Carlile to Lake Street Dive and Maggie Rogers), but also as a celebration of where she comes from (her roots span Puerto Rico, New Mexico, Argentina, and New England). Slipping effortlessly between Spanish and English, the collection is raw and vulnerable, at once steeped in devastating loss and uncertainty, but also laced with the hope and resilience of young woman learning to find her voice and stand her ground.

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Mariee Siou

Tuesday 11.19.24 - 7:00pm - Tickets

Mariee Sioux Sobonya was born on the Humboldt coast in Arcata, California. When she was two her family moved to the Sierra Nevada foothills in the Yuba River watershed in Northern California, to pursue their dream of farming and living off the land. She was raised on their small farm whose surrounding lands were originally occupied by the Nisenan people before the cultural and environmental decimation that occurred at the hands of expansionist migrants and settlers during the gold rush, and has come to be known as Nevada City (the Nisenan still survive in tragically small numbers and continue to fight for visibility and Federal recognition).

​Mariee Siou has learned to more consciously embrace her role in the ancient and new tradition of healer-singers who have always helped hold the human social fabric together. Through music she attempts to fill a cultural void left by severed connections to her Polish, Hungarian, and Indigenous North American heritages and to thereby address the broader cultural voids felt by Americans today. She does this “with hopes of enticing the sacred work of grief back into our lives from the exile American society has placed it in”—and this is strongly evident in her 2019 release Grief in Exile, as well as in her forthcoming EP Circle of Signs.

The songs continue to come to Mariee Siou, and her approach as a singer continues to mature. The flowing melodies and quivering vibrato of her voice, as well as the poetry itself, continue to locate themselves and their work with a more solidly grounded precision as to just what that work is. Her most recent songs most deeply reflect this clarity of vision and acceptance of both her role as an artist and the endless need for that role in this changing world. Mariee Siou brings us back to the child and the grandmother in ourselves, in a time in which it has never been more needed — and she intends to keep it up as long as she has a voice.

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