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DD Island

w/ Rabbitfoot

& eustis

Saturday 1.18.24 - 8:30pm - Tickets

Lo-fi psych pop. Swim in a creek music.

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TASHEFF &

KATE KUSH

Saturday 1.18.24 - 10:00pm - Tickets at the door!

Tasheff is a producer, songwriter and DJ from Brooklyn, NY, whose work draws influence from the playful pop of Janet Jackson, the witty electronics of PC Music, and the sass and grit of Marie Davidson’s techno. Tasheff is known for their effortless fusion of underground dance music with memorable pop and club classics. 

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My Son The Doctor

w/ Neato

Friday 1.24.24 - 9:00pm - Tickets

My Son The Doctor began prescribing their swaggering punk sound to the Brooklyn in 2019, playing almost exclusively to the irony-poisoned crowd that dominates Brooklyn and Bushwick DIY spaces. 

Finding their stride through off-kilter and playfully destructive live shows, the four-piece dropped their Sophomore extended play Taste Those Dreams during the Fall of 2021, a short and sweet release of six tracks that clocked in at just over 18 minutes.

Self-described as ‘like Spoon, but younger and hotter,’ the pent up Bushwick band has expanded upon their irreverent stream-of-conscious lyricism and tightly wound guitar performance on MESH. Called “spiky” by Brooklyn Vegan and noted for packing “four pounds of kickass into a two pound bag” by The Deli Magazine

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Libby Quinn

w/ Retail Drugs

Greaseface

& Funeral Date

Saturday 1.25.24 - 9:00pm - Tickets!

"Libby Quinn is rewriting the rules of punk with a sound that’s as chaotic as it is controlled. Blending post-punk, jazz, and a DIY ethos, the band creates a sonic experience that’s unpredictable and infectious. In this interview, Violet explores Libby Quinn’s unconventional journey, from jazz programs to experimental live performances, exploring how their eclectic influences shape their music and live shows. From unconventional songwriting methods to their unique collaborative spirit, Libby Quinn’s approach to punk is as innovative as it is incendiary" - The Cold Magazine

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HONEY & SOUL

Friday 1.31.24 - 8:00pm - Tickets

Honey and Soul is what you get when you take a group of soft tender babes and let them take you from quiet, soothing, lullabies all the way to rock and roll. It’s something like unleashing the feminine power in three part harmony while also laughing with your friends about fart jokes. They keep it real, bring the heart, and love each other through the music.

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beccs

Friday 1.31.24 - 8:00pm - Tickets

beccs is an alternative pop artist hailed as one of NYLON Magazine’s “favorite cool girls”. Holding up a mirror to herself and society at large, beccs confronts and heals audiences with a soul-stirring voice that is as dynamic as it is vulnerable. Blending a playful modern songwriting with a powerful voice akin to classic 60’s Laurel Canyon, the indie pop artist has become critically acclaimed.

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Kahil El'zabar's

Tuesday 2.11.24 - 7:00pm - Tickets available soon!

Legendary Chicago percussionist Kahil El’Zabar, an artist in a league of his own, acknowledged throughout the world as the leader in the vanguard of spiritual and afro-futuristic jazz brings his Legendary Ethnic Heritage Ensemble to Radio Bean on Tuesday, 2/11 from 7pm-9pm.

LEGENDARY ETHNIC

HERITAGE ENSEMBLE

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LUTALO

Friday 2.14.24 - 8:30pm - Tickets

Lutalo’s highly visceral folk goes electric on The Academy, the Vermont multi-instrumentalist, songwriter and producer’s debut LP. On The Academy, Lutalo embraces a literary approach to self-referential songwriting, turning memories from their adolescence into impressionistic folk and rock compositions that are equal parts searing and vulnerable. With their unique baritone and finesse for lyrical world building, Lutalo cuts to the bone–while only just beginning to reveal the depth of their artistry and vision.

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SWEET PETUNIA

Tuesday 2.18.24 - 7:00pm - Tickets

Sweet Petunia, composed of Mairead Guy and Maddy Simpson, is an alt-folk duo based in Boston. Over the last five years, the duo has grown into their own as both powerful songwriters and harmonizers as well as lightning-quick players, beginning every set with explosive double banjo action. Unapologetically queer and unafraid to get loud and angry, they craft music that is informed just as much by their contemporaries in Boston’s punk & DIY scene as it is steeped in rich folk tradition.

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CALEB KLAUDER

& REEB WILLMS

COUNTRY BAND

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Tuesday 3.4.24 - 7:00pm - Tickets

Dust off your boots and gather around for some true and original modern honky tonk music. An all-star cast of master musicians backs these two soul singers of country music, Caleb Klauder and Reeb Willms. These two are known to roots music fans across the globe for their soulful harmonies, driving dance tunes, classic original songs, and commitment to the raw truth of rural American music. They live in the San Juan Islands of Washington, though until recently, home was Portland, OR. They are foundational to the exceptional old-time and country music scene in the Pacific NW with the Caleb Klauder Reeb Willms Country Band and their membership in the Foghorn Stringband, of which Caleb was a founding member. Charismatic performers, they bring their unique set of talents to the stage with an eye towards good times and an ear towards the deepest songs and tunes. 

Sometimes we get so unnecessarily swept up in who’s rising and falling in music these days that the sheer joy of music is overlooked. One of the great things about Caleb and Reeb is that they are a world apart from all of that nonsense and let you immerse yourself in the melody and story of classic sounding country music until all other cares of life fade away. Country music is the music of working people who use it to pass the time and forget about the ever-present hardships in their lives. After years of touring together, Reeb and Caleb work intuitively.

 

Caleb’s study and understanding of roots music is so dedicated and rich, that he can hauntingly immerse himself in the same perspective of those old primitive country composers and write as if he was right beside them. Their album Innocent Road includes a clutch of lovingly arranged Klauder originals, along with well-placed and rare covers. The pair bring the spirit of legendary country duos into their contemporary takes on country music. Trading vocals back and forth, they complement each other strikingly well in an attractive meld of honky-tonk that brushes shoulders with trad bluegrass.

Twain (solo)

SOLD OUT

Thurdsay 3.27.24 - 8:00pm - Tickets

“There is nothing remarkable about my life that is necessary to know in order to appreciate the songs,” says Matthew Davidson of Twain. He describes the project as “a modern folk-opera of indefinite length consisting of songs and images from my life, a self-caricature of the musician and writer Matthew Davidson.”

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Esther Rose (solo)

SOLD OUT

Thurdsay 3.27.24 - 8:00pm - Tickets

Everything clicks on Safe to Run, the fourth album from singer, songwriter and perpetual searcher Esther Rose. It’s the quiet culmination of years spent fully immersed in a developing artistry, and presents Rose’s always vividly detailed emotional scenes with new levels of clarity and control. As with previous work, her songwriting transfigures the chaos and uncertainty of a life in progress, but here she sharpens the pop elements and attaches unshakably catchy hooks to even the darkest stretches of the journey.

After spending her formative years in Michigan, Rose relocated to New Orleans and got her start in music there while awash in the unparalleled energy of the city’s scene. Over the course of her first three records, an infatuation with traditional country gradually evolved into a more distinctive style and increasingly personal material.

Rose’s music traced her changes as she moved through stages, studios, and home addresses, and she eventually left NOLA for New Mexico where the two year writing process for Safe to Run unfolded. Making the transition to this new environment after spending the better part of a decade building a life somewhere else demanded looking around and taking stock. All the heaviness, sweetness, levity, and self-discovery that had led up to that point began funneling into new songs that moved slower in order to dig deeper, taking on the intricate hues of a desert horizon as they came together.

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